Makeup Director Wendy Rowe | Report by Celine Bopp
“Every season for Burberry the girls grace the catwalk with elegance and style, the look is effortlessly beautiful. Makeup Director Wendy Rowe created the look using Burberry’s own make up range. The girls all wore a very well blended light smokey eye using Burberry Eyeshadows in Almond and Taupe brown. A little mascara in Midnight Brown was used on each girl. The skin was kept fresh only given a tiny bit of a warm base where needed using Burberry’s Sheer Foundation. A gentle sculpting was used on the cheek, and Burberrys Lip Cover in a rose shade was applied very sheer on the lips. Absolutely divine.”
Makeup Director Sam Bryant | Sponsored by MAC | Report by Celine Bopp
One of the high points of London Fashion Week is always Richard Nicholl’s exquisite show, and this year was no exception. Here’s what Sam’s team leader Celine Bopp had to say:
“The girls at Richard, oh my word…sensational. Gorgeous lunar skinned highlighted girls, and the inspiration for Richard’s collection was from a unfinished film in the 1960s called L’Enfer. Think groovy chic, babydoll silhouettes, a simply amazing collection.
Sam created the look for the girls coming up with a 60’s feel, by taking a 60’s liner and adding a conceptual twist.
The girls had dreamy lunar skin, absolutely gorgeously highlighted, and a dewy, minimal base was created using MAC Face and Body foundation, just to cover any imperfections and give it a sheer feel. A slight contour was used on some of the girls if they needed it using a foundation shade darker than their skin tone. The lashes were curled and MAC Shell Cream Colour Base was used to highlight the girls on the cheekbones, bridge of nose, cupid’s bow, and every body part that wasn’t covered by clothes. The conceptual liner was made out of a matte black tape, cut out in exact oblong shapes and put in a titled placement on the outer corner of the eye. In the line up Sam added an extra highlight on each girl, using white iridescent powder.”
Makeup Director Sam Bryant - Report by Celine Bopp
London Fashion Week had its most exciting season in ages with amazing shows, both for the clothes and the hair and makeup looks. London is traditionally where the fash pack cut loose with their creativity and go for looks that are less ‘safe’ (as you usually get in New York, or even Paris and Milan). This season was no exception with lots of 90’s grunge references, big brows, outrageous back combed hair, dip dyed nails and even stick on eyeliner! The MM LFW backstage correspondent is again fabulous London makeup artist Celine Bopp who was on a number of teams this season, including Sam Bryant, Kay Montano, Florrie White and Alex Box, and we’re lucky enough to have the first of her backstage reports here:
John Rocha Look – Shadowy Androgyny
“Taking a cue from last season’s look Sam created a grungy shadowy androgen look, keeping the skin light and pale with shaded eyes and sculpted cheeks.
Using MAC Pro Sculpting Cream in Sand Brown we shaded inner, outer, socket line and under the eye. We followed with a grey shadow, MAC Typographic to intensify, layering up the colours gave the look an edge, something interesting, grading the shades.
Using MAC Sand Brown Pro Sculpting Cream to sculpt the cheeks when needed, and followed by MAC Shadowy Sculpting powder to intensify the cheek.
The luminizer was MAC Shell Cream Colour Base dusted over the lips and cheek bones.”
The inspiration for the gorgeous, glowing makeup at the Issa show at London Fashion Week this season was Bo Derek in ‘10’. It was a super sexy, vibrant, colourful show (complete with Ana Beatriz in full-on carnival headdress and costume) and the makeup made the girls look like Ipanema goddesses. Here’s what Kay used:
MyFace MyMix foundation
Jurlique Rose Silk Finishing Powder
Revlon SkinLights in Warm Glow on the tops of the cheekbones
NARS Laguna to contour, shade and sun-kiss the girls
Stila Convertible Colour in Poppy
Chanel Eyeliner pencil in Brun-Ciuvre smudged into lashline and on inner rim of eye
Report by Celine Bopp | Makeup Director – Alex Box | Sponsor – MAC
As Alex’s assistant, Celine Bopp, so rightly says “The girls at Gareth Pugh… well, well, well! Another extravaganza from the Box.” Alex describes the look of the show as “religious iconography”.
Celine says “The girls and boys in the show this season were sensational, along with those clothes and the colour that Pugh sneaked into his collection this year was fab – black, gold and blue… beautiful.”
Foundation: The models’ base was kept minimal using MAC Studio Sculpt foundation to match the girls’ skin tone, and the cheeks were left relatively sheer and fresh so to see the natural skin flesh tone.
Eyes: The eye pads were stuck underneath the models’ eye, with either a gold or a blue winged out shape, using ‘secret material’.
Face Gloss: MAC Lipglass in Clear, and Gloss Brilliance was placed on the cheekbones and cupid’s bow.
The boys didn’t wear the mystery winged out shape under their eyes but they had amazing highlights and textures on their skin which looked gorgeous. We used MAC Studio Sculpt foundation, MAC Lipglass, Strobe Cream, and a few different MAC Reflecting Pigments to get the effect that Alex wanted.
We’re very lucky here at MM HQ – look what I have received from one of my favourite hairdressers ever, James Pecis. James is not only one of the loveliest people in the business, he’s also a seriously amazing hairdresser who books Italian Vogue like you and I go to the supermarket. (Just this month he’s done the cover of Dazed and Confused with the unbelievably hot model, Arizona Muse).
This Fashion Week was one of his busiest ever (in London alone he did Roksanda Ilincic, Peter Pilotto and Meadham Kirchoff, amongst others), and we have an incredible video he put together of what it’s REALLY like doing the show circuits of NY, London and Paris. Lots of hard work and an awful lot of hair – but James makes it fun. Check it out.
Skin: The girls were given flawless skin, using MAC Studio Sculpt foundation and Prep + Prime primer.
Highlights: MAC Vanilla Pigment was used to highlight the face and mouth.
Contour: MAC Pro Longwear Eyeshadow in Beige was used to contour and define the cheekbone.
Eyes: A sheer wash of colour could be seen across the girls’ eyelids in cream eyeshadow in Blasé andpowder eyeshadow in Lady Grey.
Eyebrows: A lovely natural but brushed upwards look was given to the girls’ eyebrows
Lips: Beautiful dark lips were the focal point for the Anne Valerie models, dark plum winey lips using MAC Portside Cremeliner to line the lips, andPrince Noir Lipstick. (This is turning out to be a serious season favourite, showing up on quite a few shows).
The YSL show is always considered to be a beauty bellwether – whereever Pat McGrath decides to take the models’ wearing Stefano Pilati’s gorgeous clothes, we can all expect to be following in her incredible footsteps’ next year.
This season there was a change on the lip colour right before show time – I don’t know whether we’d call it Lipgate, but the original, gorgeous strong violet lip colour was decided to be a little overpowering and minutes before show time Pat had her team remove the violet lip and replace it with a gorgeous, glossy nude. I love both but as always I think Pat made the right call. Can this woman do any wrong?
Report by Celine Bopp | Makeup Director Sam Bryant
Sponsored by MAC
The girls at Richard had very defined eyebrows, with a ‘finished and sporty’ glow, dewy and alive, but always cool.
The skin was perfected and kept cool toned using MAC Studio Sculpt foundation.
Squared off and elongated using MAC Eyebrow Pencils in Fling, Lingering, Spiked and Stud (depending on the model’s colouring).
Using three tones on the cheeks, MAC Cream Colour Base in SandBrown to create the cheek bone, Cheek Matt low on the cheeks, with a touch of Ginger Cream Blush in the middle, all beautifully blended together. Divine.
Beautiful highlights were placed on the cheekbones, bridge of nose, inner eyes, Cupid’s bow and chin using Vaseline and MAC Silver Dusk powder
Just buffed off with cotton bud and left au naturel.