Makeup by Florrie White
I love a bit of Rose Byrne – she is gorgeous, elegant, Australian and grew up in my suburb of Balmain, so I am a bit biased about her. Plus she’s in one of my favourite TV shows, Damages. Here’s a lovely beauty breakdown from LFW, courtesy of her makeup artist, Florrie White.
“Rose Byrne was attending the Pringle show in London on a very sunny Monday during LFW. She was sporting a sleek groomed bob so I wanted to subtly bring out her eyes under her fringe.
Onto clean skin I massaged Decleor Life Radiance and evened out her complexion, banishing any shadows under her eyes and any blemishes by mixing various shades from the Bobbi Brown Foundation palette. I like to mix shades so that the face is not flat. The make up was set with MAC Prep and Prime powder.
After curling her eyelashes, I applied an even dusting of Chantecaille Rose Quartz all over her upper lid and into the inner corner of her eyes. I blended a soft shading of MAC Mulch into her outer socket to open out her eyes. I then traced a fine soft line of Elizabeth Arden Powder Pencil in Espresso from the top inner corner of her eyes all the way across her lashline. I then accentuated this line using Bobbi Brown Gel Eyeliner in Caviar Ink from the outer middle of her lashline. Underneath her bottom lashes I applied a softly blended and smudged line in MAC’s Mulch, with the golden pigments really bringing out the colour of her eyes. Laura Mercier’s eye pencil in Nude was used to open out her eye further by applying it into the inner rim of her eye. I then accentuated and extended her lashes with Lancome Hynose Doll’s Eyes mascara in Black. I thickened the lashline further by adding eyelash clusters in Medium from the inner corner of her eyes to midway across her eyelash and then continued in Long lashes to the outer edges of the lashline.
She was literally given a soft spring glow with Chanel’s Blush Horizon/Soft Glow Blush on the apples of her eyes and up into her temples.
I lined her lips in Burberry Lipliner in Nude Beige which I feels really pumps up the shape of one’s mouth with the silver pigments in it. I then filled in her mouth with Chanel’s Rouge Coco in Chintz.”
When I saw how gorgeous Kate Bosworth looked at last week’s Burberry show at London fashion Week, I had to find out her makeup look. Luckily I know her makeup artist, Florrie White as I used to assist her in London, so Florrie gave me the info on what she used – and now I REALLY have my eyes on some of those yummy Burberry eyeshadows…
“Kate was very relaxed about her make up and let me work to create the “best version of yourself” make up. Kate has a healthy warm Californian skin tone which I evened out with Sheer Foundation in Trench no. 3 and 4, using the lighter shade to even out the complexion and the darker shade to add a little contour over her features. I banished any shadows under and in the inner sockets of her eyes with Sheer Concealer in Light and Soft Beige.
I didn’t need to touch her perfect eyebrows so I concentrated on subtly shading her eyelids with sheer Shadow in Gold Trench all over her lids and then more definition in the outer socket of her eye and under her lower lashes in Chestnut. I brought out her lash more by smudging Eye Definer in Midnight Brown into her
lower lashes then enhanced her top lashes with a soft but solid line across her top lashes. I curled her lashes and then applied 3 coats of mascara in Midnight Black, combing through the lashes afterwards.
A further warm and sunny glow was achieved by applying Fresh Glow to highlight her temples and top of her cheeks and then I swept Warm Glow in Copper Glow over the apples of her cheeks, across the bridge of her nose and over her forehead into her hairline.
I highlighted her Cupid’s bow with Lip Definer in Nude Beige and also on the bottom outer edge of her mouth and the filled it in with a creamy layer of lipstick in Nude Beige.”
Makeup by Wendy Rowe | All products by Burberry Beauty
• Apply Effortless Mascara in Midnight Black No. 01 to the upper and lower lashes
• Apply Eye Definer in Midnight Black No. 01 outside the upper and lower lash line using the definition liner brush to blend and intensify
• Sweep Sheer Eyeshadow in Gold Trench No. 04 across the eyelid as a base
• Blend Sheer Eyeshadow in Taupe Brown No. 07 into the socket line and the outer corner under the eye
• Blend Sheer Eyeshadow in Almond No. 06 under the eye for a smoky look
• Apply Fresh Glow to the skin to illuminate and moisturise
• Use Sheer Concealer to highlight features, conceal dark circles and even the complexion
• Apply Sheer Compact Foundation with a sponge for a flawless matte finish
• Gently contour cheeks with Light Glow in Earthy Blush No. 07, adding freshness with Light Glow in Misty Blush No. 08
Apply Lip Cover in Delicate Rose No. 22 followed by Nude Cashmere No. 26 for a natural satin finish
How fab is this video! Shot by Style.com at the show test for Thakoon with one of my favourite all-time makeup artists, Diane Kendal, and amazing french hairdresser Odile Gilbert, it shows the process that takes place before the runway show. The designer and hair and makeup artists all get together over a period of a few hours (or as long as it takes!) to test out different ideas, until they have the ultimate woman that the designer envisaged. Almost as good as being in New York!
Make Up Director Alex Box | Report by Celine Bopp
Supremely chic, as the girls walked round the fluorescent light filled room, it had a sporty feel to the collection. The girls’ foundation was kept super minimal using a little MAC Studio Sculpt, and then the fun began! Using MAC Lip Mix in Yellow we blended a tiny bit on areas such as the creases of the arms and back of knees to give a bruise like feel. Then using a special effects’ product that was melted down in hot water, we created oblong shapes on parts of the body. Each girl had an individual look, so some had shapes on their face and some on their legs and arms. Once it set on their skin we dusted MAC pigment in Reflects Teal, a pearly white, which was barely visible until they hit the fluorescent lights on the catwalk, giving flashes of light. Gorgeous girls, perfectly suited to Tait’s wonderful collection.
Makeup Director Wendy Rowe | Report by Celine Bopp
“Every season for Burberry the girls grace the catwalk with elegance and style, the look is effortlessly beautiful. Makeup Director Wendy Rowe created the look using Burberry’s own make up range. The girls all wore a very well blended light smokey eye using Burberry Eyeshadows in Almond and Taupe brown. A little mascara in Midnight Brown was used on each girl. The skin was kept fresh only given a tiny bit of a warm base where needed using Burberry’s Sheer Foundation. A gentle sculpting was used on the cheek, and Burberrys Lip Cover in a rose shade was applied very sheer on the lips. Absolutely divine.”
Makeup Director Sam Bryant | Sponsored by MAC | Report by Celine Bopp
One of the high points of London Fashion Week is always Richard Nicholl’s exquisite show, and this year was no exception. Here’s what Sam’s team leader Celine Bopp had to say:
“The girls at Richard, oh my word…sensational. Gorgeous lunar skinned highlighted girls, and the inspiration for Richard’s collection was from a unfinished film in the 1960s called L’Enfer. Think groovy chic, babydoll silhouettes, a simply amazing collection.
Sam created the look for the girls coming up with a 60’s feel, by taking a 60’s liner and adding a conceptual twist.
The girls had dreamy lunar skin, absolutely gorgeously highlighted, and a dewy, minimal base was created using MAC Face and Body foundation, just to cover any imperfections and give it a sheer feel. A slight contour was used on some of the girls if they needed it using a foundation shade darker than their skin tone. The lashes were curled and MAC Shell Cream Colour Base was used to highlight the girls on the cheekbones, bridge of nose, cupid’s bow, and every body part that wasn’t covered by clothes. The conceptual liner was made out of a matte black tape, cut out in exact oblong shapes and put in a titled placement on the outer corner of the eye. In the line up Sam added an extra highlight on each girl, using white iridescent powder.”
Makeup Director Sam Bryant – Report by Celine Bopp
London Fashion Week had its most exciting season in ages with amazing shows, both for the clothes and the hair and makeup looks. London is traditionally where the fash pack cut loose with their creativity and go for looks that are less ‘safe’ (as you usually get in New York, or even Paris and Milan). This season was no exception with lots of 90’s grunge references, big brows, outrageous back combed hair, dip dyed nails and even stick on eyeliner! The MM LFW backstage correspondent is again fabulous London makeup artist Celine Bopp who was on a number of teams this season, including Sam Bryant, Kay Montano, Florrie White and Alex Box, and we’re lucky enough to have the first of her backstage reports here:
John Rocha Look – Shadowy Androgyny
“Taking a cue from last season’s look Sam created a grungy shadowy androgen look, keeping the skin light and pale with shaded eyes and sculpted cheeks.
Using MAC Pro Sculpting Cream in Sand Brown we shaded inner, outer, socket line and under the eye. We followed with a grey shadow, MAC Typographic to intensify, layering up the colours gave the look an edge, something interesting, grading the shades.
Using MAC Sand Brown Pro Sculpting Cream to sculpt the cheeks when needed, and followed by MAC Shadowy Sculpting powder to intensify the cheek.
The luminizer was MAC Shell Cream Colour Base dusted over the lips and cheek bones.”